12/2/2023 0 Comments Alice in wonderland cartoon scenes![]() ![]() My favorite bit involves two birds, one with a mirror for a head and the other looking like a pair of glasses that innocently confuse Alice (unlike everyone else in the film, who maliciously confuse Alice.īut one thing I’ve always liked about it that is frequently considered a negative is what a ridiculous little shit Alice is. But there are some great little moments throughout. As you point out, it’s a case of too many cooks to the extreme. By the time of the 90’s renaissance, animators were assigned characters rather than sequences. It’s an interesting artifact of the way Disney used to divvy up work, assigning separate people to handle separate sequences. Holy cow, I just watched Alice in Wonderland yesterday! I frequently have fond memories of it, but my appreciation for it is more intellectual than emotional. ![]() So the Disney that made Alice, Peter Pan, Cinderella and so on, was a very different company than the one that made Fantasia, Pinocchio & Dumbo. Reportedly he considered closing down the feature animation department several times. It was poorly received, Walt got pretty bitter, and started focusing his energy on other things: live-action, the Disney TV shows, Disneyland, and so forth. Those who remained claimed that the atmosphere was completely different post-strike, and the feelings of friendship and camaraderie between the animators and Walt Disney were pretty much gone.įrom what I understand, Saludos Amigos was the last cartoon that Disney himself took much personal interest in. This caused a massive rift between Disney and his employees, and after the strike was over, nearly half of the staff left, including guys who went on to big things later: Walt Kelly, John Hubley, Bill Melendez, etc. But probably more important was the 1941 animators’ strike. (Entering Disney ‘sperg mode) WWII was a huge factor when it came to Disney’s diminishing revenue. In short, not one of Disney’s better works. I’m also fairly certain it’s single-handedly responsible for all the “giant woman” fetish porn that shows up when you google the most innocuous things. Compared to most classic Disney films, it feels insubstantial despite being packed with so much variety. Despite being barely more than an hour long, Alice in Wonderland drags terribly. Aside from a few linking elements that come together in the final courtroom sequence, such as the Mad Hatter’s retinue and the magic mushrooms she fishes out of her pockets, there’s no continuity between the vignettes. It’s just a bunch of standalone scenarios directed by different people, each with its own tone and theme.Īs a result, it feels like Alice is bouncing constantly between unrelated cartoons rather than roaming on a journey. ![]() Lewis Carroll’s picaresque children’s book makes pretty decent source material for a Disney movie - the songs and zany talking animals are built right in! - but the problem is that the startlingly expansive list of writers and directors didn’t bother to create any real linking material between these disconnected sequences. Unfortunately, while the individual scenes range from good to great, Alice in Wonderland doesn’t quite work as a movie. In throwing out the rounded and sometimes drab look (occasionally black-and-white) of early shorts, Alice in Wonderland modernized an aging format and lent it new energy. Unlike those older shorts, though, every scene in Alice in Wonderland is drawn in a clean, lean style with crisp lines and absolutely dazzling color. You could put Bosko or Betty Boop in Alice’s place and no one would have blinked. You’ve got a song about a horrible walrus who seduces young clams and eats them alive (literally, not in some creepy metaphorical sense), a bizarre opium-addled caterpillar who poses existential questions, singing racist flowers, a tea party for the insane, and the world’s deadliest croquet match. ![]() Taken on its own, any sequence in Alice in Wonderland could stand as a pretty decent Disney theatrical short. It’s less a movie than a series of loosely connected cartoon vignettes, random musical numbers, and surreal comic routines. Not a bad style, but certainly less spectacular than the stunning multi-plane animation and intricate designs of Pinocchio.Īlice in Wonderland, which debuted in 1951, feels like it was meant to be a call back to pre- Snow White animation while adhering to the visual format of the studio’s mid-century work. Or maybe it was the colossal failure of Fantasia that did it. Either way, the studio’s extraordinary golden era of animation wheezed to a sad finale sometime around 1942, and the lush artistry of Dumbo and Pinocchio gave way to a leaner, more economical style with the debut of the classic Bambi and lesser films like The Three Caballeros and Saludos Amigos. World War II took something important away from the Walt Disney studio. ![]()
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